![]() If the show's earlier seasons drew comparisons to Friends, the tenth season recalls something more akin to an erotic thriller. That changed once Stassi Schroeder and Kristen Doute endangered Faith Stowers's life, and it hasn't stopped changing. And the great thing about the show is that historically, the drama has been emotionally high-stakes with little to no actual stakes. They were just hot restaurant workers who were profoundly messy in a deeply human way-one that often encroached on the inhuman. It's cannibal theater through and through, and what this formula means- what it necessitates- is that every now and again, someone gets their guts completely fucking ripped out.Īt its start, Vanderpump Rules was unique for the Bravo universe in that its stars were not disgustingly wealthy or pathologically ambitious or even altogether capable of really pretending to be. Reunions frequently take on the tone of Celebrity Deathmatch, though they're more often described as akin to the Superbowl. They battle in coliseums of toxic femininity, toxic dating and work culture, toxic marriages, toxic fandom and media culture. "Bravolebrities" are contemporary gladiators. Fame and opportunity are on the table if by no means guaranteed. From The Real Housewives franchises to Vanderpump Rules, Southern Charm, Summer House, and Below Deck, cast members don't sign up to participate in a competition, but to make characters of themselves and their conflicts, all of which are "real" and yet still constructed. Like horror, reality TV provides a container of escapism that doubles as a venue for confrontation and projection by its very form. ![]() I've long suspected that certain types of reality TV serve the same function as horror films, particularly the type cornered by Bravo. So it tracks that you increase your chances of survival (your capacity to cope) if you teach your nervous system how to stay cozy in chaos. In a world that wants us to bobblehead our way through life like good, happy consumers, horror is disruption, and disruption begets transformation, and transformation is an inevitable (albeit uncomfortable) fact of life. Horror spectators understand that there are valuable lessons to be learned about survival and discernment from these stories, that they can instill a way of looking and relating to the world that, in some ways, seems to pierce the veil of existence. Although most of her best friends like LaLa Kent, Stassi, Scheana and Brittany have all recently had children of their own, Katie and Tom didn't seem to be in a rush to have kids.Research on horror spectatorship shows that audiences value the genre because it offers a safe container to experience and confront terror, whatever shape it may take. The two had a forest wedding during the season 5 finale where castmates Stassi Schroeder, Kristen Doute, Scheana Shay and Brittany Cartwright were a part of the bridal party. During season 4, episode 10 of Vanderpump Rules, Tom finally proposed to Katie at a dinner with all SUR family present. After some infidelity issues on Tom's end, Katie gave him an ultimatum: either propose soon or end the relationship. Once her " Bubba" became a full-time cast member during season 3, fans were able to get a more in-depth look at Katie's concerns with Tom's long-term commitment to the relationship. During the first two seasons, Katie seemed to be happy with where their relationship was going. Tom and Katie's relationship has always been on their own timeline and has moved at a slower pace than their fellow castmate's relationships. ![]() ![]() There have been a few hiccups in their relationship, but they are one of the least problematic couples within the show. Vanderpump Rules star Tom Schwartz revealed that during quarantine, he and his wife, Katie Maloney, have been trying to start a family. The two are the longest-lasting couple as they started dating two years before the show first aired in 2013. ![]()
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